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learn abstract painting

instructed by ahmad austin

Join Ahmad Austin on March 14 2026 for an immersive abstract painting workshop focused on color, movement, and expression. In this 5-hour class, you’ll create two abstract paintings on 16×20 canvases using acrylic paint and intuitive techniques.

This class is about letting go of perfection and learning how to build strong abstract compositions through bold color choices, layering, texture, and mark-making. Ahmad will guide you through his process, demonstrate techniques, and explain how to mix colors with intention while trusting instinct over overthinking.

You’ll complete both paintings by the end of the session. A live demo is included, and all supplies are provided—just show up ready to work. Bring your lunch and beverage for the break from 12–1 PM.

Let’s paint. Let’s experiment. Let’s learn.

let's learn together

Age Range:  18+​

Date: March 14, 2026

Times: 10 AM-3 PM

Location: Kentuck's Georgine Clarke Building

Tuition: $160; all supplies included

Secure your spot in the class today!

You must be 18+ to attend. Space is limited to 12 attendees. The minimum for this class is 6 participants, and if the class does not meet the minimum, participants will be refunded. Tickets are non-refundable once the registration deadline ends.

 

Please email Mary Bell, Program Director, at mbell@kentuck.org with any questions.  Kentuck workshops are non-refundable after the registration closes. If you would like to cancel before the deadline passes, please email mbell@kentuck.org or call 205-758-1257. If the class does not meet the minimum by the registration deadline and the workshop is cancelled, all participants will be refunded their registration fees.

meet the instructor: ahmad austin

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Internationally recognized artist Ahmad Austin believes that good art is like good music: it makes you feel something. Marked by bold colors, movement, and loose strokes, his paintings are sure to do just that. Built upon years of formal training, Austin’s personal style emerged when he picked up a palette knife and discovered a new artistic freedom that captured more emotion and energy than he ever experienced while painting with a brush. You’ll often find Austin painting to the sound of jazz legends like John Coltrane, creating pieces that capture the essence of jazz. “When I’m painting, it’s as if time doesn’t exist,” he said. Unwinding as he creates, Austin’s personality and his style are both relaxed. Yet, he uses quick strokes and scratching techniques that convey a certain energy that comes off the canvas. “I’m very easy going—maybe a little too much,” Austin said. “I think some of the emotions I hold back come out in my paintings.” Currently, Austin paints portraits of black kids by channeling their innocence as well as their challenges that some of them may endure due to the social constructs within our society. These paintings come from years of experience of teaching elementary students in the inner city for over 12 years. Austin’s work has been showcased worldwide from Italy to Ireland, as well as respected in his home community of Birmingham, Alabama. When he isn’t creating exquisite, award-winning pieces of his own, Austin stays busy teaching others to do the same. By day, he teaches highs school students techniques to express themselves artistically and at night he teaches numerous classes online through his Palette Knife Academy which have been enjoyed nationally and internationally. A patient and encouraging teacher, Austin said his students inspire him with their creativity. Several of his students have developed their own style using the palette knife and have gone on to become professional artists as well. “There’s nothing more rewarding than that,” Austin said. Whether he’s painting a series of his signature musicians or portraits, Austin’s work is a lot like jazz music—filled with a calming sort of energy that keeps people coming back to it. He plans to keep and inspiring others to do the same for years to come.

class photos

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​This workshop is made possible in part by support from  the Alabama State Council on the Arts.

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